Photo by John Deane


INTRODUCTION – BIOGRAPHY (HOW DID IT ALL START?) - LINER NOTES TO THE CDS, COVER VERSIONS OF ALLAN TAYLOR’S SONGS AND DISCOGRPHY.

FOR PRESS AND PROMOTION – A FEW LINES TO USE:


Allan Taylor, the consummate performer, a writer of literary gracefulness whose troubadour chronicles encapsulate the realism of otherwise unsung heroes, otherwise uncharted lives. Few people can convey with such eloquence their life experiences. His songs are written from a lifetime of traveling; always the observer passing through, each song is a vignette of life, like a story told over a drink in a bar; characters come to life like people you know and places become as familiar as if you had been there. His songs have been recorded by more than a hundred other performers of various nationalities (there are more than sixty cover versions of his song “It’s Good to See You”, in ten different languages), proof enough that a concert by Allan Taylor will be an experience to remember. As Allan says at the beginning of each concert, “Sit back and enjoy the journey.”

Biography

For 35 years he has been considered as the consummate performer, a writer of literary gracefulness whose troubadour chronicles encapsulate the realism of otherwise unsung heroes, otherwise uncharted lives. His songs are faultlessly constructed and flawlessly performed, with his instantly recognisable voice, attractively dark and mellow, and his intricately detailed yet full-sounding guitar playing. His album The Traveller won the Grand Prix du Disque de Montreaux for the best European album, and his CD Colour to the Moon (released in 2001) represents the work of an artist at his most mature and confident. The songs on the CD, Hotels and Dreamers (which was awarded “CD of the Year” in Germany) add to a superb back catalogue of great songs, songs that have been recorded by more than a hundred other performers of various nationalities (there are more than sixty cover versions of his song “It’s Good to See You” in ten different languages). His most recent recording, Old Friends, New Roads (released in July 2007) – a completely solo CD with voice and guitar, and voice and piano has introduced some of his classic older songs (such as "The Morning Lies Heavy") to a new audience and has already gained complimentary plaudits from the media.

Looking back as well as forward, few people can convey with such eloquence their life experiences. His songs are written from a lifetime of travelling; always the observer passing through, each song is a vignette of life, like a story told over a drink in a bar. Each has an integrity that tells you it comes from something real; characters come to life like people you know and places become as familiar as if you had been there. As Allan says at the beginning of each concert, “Sit back and enjoy the journey.”


Notable Quotes

I think you are more purely musical than just about anyone I know. I would find it pure pleasure to work with you someday in any way – writing, sharing the stage, whatever. You are one of the very few who record as well as you perform. (Tom Paxton)

He is an artist, a poet, a singer, call him what you like, but he has the ability to paint pictures using the minimum of words, pictures which demand closer study. (The Living Tradition)

There’s no mystery about his appeal: beautifully crafted, worldly-wise songs with beguiling, precision-built guitar accompaniments, delivered in a firm, American-tinged voice that sounds as if it is telling you a story. (Alistair Clark writing in The Scotsman)

He manages to draw to draw you into his world, sometimes amusing you, at other times disturbing you. His gentle sense of humour wins you over as he regales you with anecdotes. Then when your guard is down, he gives you a song that leaves you with a lump in your throat. (Review by Drew McAdam of The Edinburgh Evening News of Allan's’s concert in Edinburgh)

Allan Taylor is one of the more literate and sensitive of contemporary songwriters in terms of words and music, and one who is capable of exploring more complex subjects than most of his contemporaries… he should probably be regarded as potentially the most important songwriter of his generation. (Dr. Frederick Woods, The Oxford Book of Traditional Verse)

Allan’s Colour to the Moon album presented a series of compelling vignettes largely concerning themselves with bohemian remembrances, and Hotels and Dreamers is, at least in part, both a true thematic follow-up to that album and a development of that concept. This new offering deserves every bit as much critical acclaim, for each and every song is a typically finely wrought and evocative piece of work. Its musical settings present a variety of individual timbres casting Allan’s distinctive, mellow guitar into relief; and, unusually, on two songs, even puts aside his guitar altogether. While Allan continues to produce albums of such high standard and unstinting quality and freshness, he need have no worries about maintaining a healthy profile. (David Kidman, fRoots, April 2004)


Discography

1971 LP   Sometimes, United Artists Records LBH83483
1971 LP   The Lady, United Artists Records UAS29275
1973 LP   The American Album, United Artists Records UAG 29468
1976 LP   Cajun Moon, Chrysalis Records CHR1116
1978 LP   The Traveller, Rubber Records RUB026
1980 LP   Roll on the Day, Rubber Records RUB040
1983 LP   Circle Round Again, Black Crow Records CRO205
1984 LP   Win or Lose, T Records T001
1988 LP & CD Lines, T Records TCD002
1991 LP & CD   Out of Time, T Records TCD003
1993 CD   So Long, T Records TCD004
1995 CD   Faded Light, T Records TCD005
1996 CD   Looking for You, Stockfisch Records RTD357.6013.2
1997 CD   (double CD) The Alex Campbell Tribute Concert, Various Artists,T Records TCD007
2001 CD   Colour to the Moon Stockfisch, Records SFR 357.6021.2
2002 CD   Banjoman – A Tribute to Derroll Adams, Various Artists, CD BG-1420
2002 CD   Out of Time, T Records TCD003 Re-mastered with 3 bonus tracks
2003 CD   Hotels and Dreamers, Stockfisch Records SFR357.6028.2
2007 CD   Old Friends New Roads, Stockfisch Records SFR 357.6047.2


Cover Versions of Allan Taylor's Songs

The following is a list of Allan Taylor compositions covered by other recording artists:
The Birth of Robin Hood Rick Fielding
"Boy" is a Nation Geraldine Magellan
Close to the Edge Hank Walters
  John Wright
Chimes at Midnight Maartin Allcock
Come Home Safely to Me Erik Grip (Denmark)
  Luckybags
Fiddler John Tom McConville
  Fungus
Firefly Tom McConville
Flower in the Snow Bill Craig (Canada)
  Jez Luton
  Gaberlunzie
It's Good to See You Don Williams (USA - Platinum record)
  Nana Mouskouri (French - Quand on
Revient. German – Gut Wieder Hier Zu Sein)
World-wide-Platinum record
  Frankie Miller
  Alex Campbell
  Tony Capstick
  The Fureys
  Hoener (Germany)
  Bente Kure and Leif Ernstsen (Denmark)
  Benny Kusk (Denmark)
  Reihnard Mey, Hannes Wader and
Konstantin Wecker (Germany)
  Anders Mikkelsen (Denmark)
  Ann Pack
  Happy Traum
  Hannes Wader (Germany)
  An Rinn
  Ringo (In France – C’est Bon de Te Voir)
  Max Boyce
  The Clydesiders
  Barleycorn
  Sean Wilson
  Steam Jenny
It Will Be Me Nana Mouskouri (French – Ce Sera Moi.
German – Ich Denk and Dich) Gold record.
Lady of Pleasure Fairport Convention
Lady Take Your Time Johnny Silvo
  Bobby Eaglesham/Chuck Fleming
  Ben Sands
  Gary and Vera Aspey
Land of the North Wind Dick Gaughan
  Tich Frier
Libertas Ragusa The McCalmans
Like I Used to Do Peter Lovsin (Slovenia)
Lullaby in G Sibylle Mild
The Madman  Al O’Donnel
Maybe Another Day Nana Mouskouri (in French-Il Etait, different in German- Vielleicht im Naechsten Jahr)
Middle Time The John Wright Band
  Anne Pack
Misty on the Water Paula and Stuart Tindall
The Morning Lies Heavy The Fureys
  Barbara Dickson
Now You Know The Fureys
Old Joe The Fureys
  Alex Campbell
  Ranald Smith & Iain MacGillivray
  Brenda Wootton
  Dave Plane
Pearls and Wine Flossie Malavialle
Roll On the Day The Clancy Brothers
  Cockersdale
  Rosemary Woods
  The Bards
  Rosa’s Daughters
  Hannes Wader (Germany)
  Graham Cooper
  Tom McConville
The Rose and the Briar De Dannan
  The Poozies
  Mary Little
The Scarlet and the Grey Mary Travers - Peter, Paul, and Mary
Simple Song Bobby Eaglesham
So Long Peter Lovsin (Slovenia)
Some Dreams John Wright
Sometimes Francoise Hardy (France)
  The Kingdom Folk Band
Songdance Luckybags
  John Wright
Standing at the Door John Wright
Still He Sings The Fureys
  Robin and Barry Dransfield
There Was a Time Helmut Debus


Major Festivals Played by Allan Taylor

Great Britain    
Cambridge Fylde Cleethorpes
Edinburgh Leeds Beverley
Glasgow Cropredy (Solo and with Fairport Convention) Chester
Thurso Broadstairs Ely
St. Andrews Wimbourne Glenfarg
Redcar    
Denmark    
Roskilde Mid-Fyn  
Skagen Tonder  
Germany    
Bonn Bielefeld (WDR) Rudolstadt
Croatia    
Dubrovnik Zagreb  
Slovenia    
Lent Maribor  
Austria    
Hallein Salzburg  
Belgium    
Dranouter Brussels  
Holland    
Rotterdam Leiden  
Italy    
Folkest-Udine/Spilimbergo Faenza-Poetry & Song Festival  
Rome Conegliano-Poetry & Song Festival  
U.S.A.    
Philadelphia Gerde's Folk City The Bitter End
Mercer Arts Center    
New Zealand    
Aukland Gisborne Christchurch
Hong Kong    

 

Song Writing Master Class / Seminar-Workshop

Allan Taylor is often called upon to give lectures or talks about song writing, especially at festivals and Arts/Cultural Centres. Not only is it a chance for members of the audience to get to know what is involved in song writing but it is also a chance for enthusiasts to ask questions about how certain songs of his were written. Combined with anecdotes about life “on the road” and stories behind the songs, the sessions illuminate a side of performing and song writing that few people have knowledge of.

Because of his unique experience, both as a practicing song writer with more than forty cover versions of his songs and as an academic the lectures/talks can be either in the form of a casual conversation between friends and enthusiasts or as a formal lecture illustrating the philosophy of artistic creativity as applied in song.

Academic qualifications

1980-83. Leeds University - degree Bachelor of Arts (B.A.)

1984-85. Lancaster University - degree Master of Arts (M.A.)

1986 - 93. Queen's University, Belfast - degree; Doctor of Philosophy (Ph.D.)

Allan's continued to work as a musician whilst taking the various degrees - the theses for the M.A. and the Ph.D. were partly written in hotel rooms throughout the world (mostly Germany, Italy, Denmark and New Zealand) and finished during a long period of seclusion in Yorkshire. Supervising professors were: for the M.A. - Professor (Dr.) David Craig, writer, poet and rock climber and for the Ph.D. - Professor John Blacking, renowned Social Anthropologist, Musicologist and Ethnomusicologist and Dr. Margaret Bennett (School of Scottish Studies, Edinburgh). It is a unique work in that it is the first time a full-time professional musician/songwriter has done such a study, using empirical knowledge as a basis for an academic thesis. The three foci of the thesis are: the creative process, the power of song and the aesthetics of song. The Ph.D. is called “Song, Song writing and the Songwriter” and is available on library loan from The Queen’s University of Belfast.

For three years Allan's lectured (part time) at Leeds University on subjects that fall broadly under the heading of Philosophy of the Arts.

Allan's has presented workshops and lectures at the Edinburgh Book Fair, the Chester festival, the Darlington festival, the Glasgow Celtic Connections festival, the Saltburn festival and Auckland (New Zealand) folk festival. In Feb./Mar. of 2002 Allan's worked on a song writing project with the Arts department of Kent County Council, which comprised four workshops, a competition for the best song and a concert for the eight finalists.


Songs of Life on the Road

Post war Britain in the fifties was grey and dull, especially seen from a council estate in Brighton, but the songs of Woody Guthrie, the guitar playing of Davey Graham and Jack Kerouac’s book On the Road fired my imagination and I knew I had to get out on the road and make my own journey. Along the way I found the people and the stories that have stimulated the ideas that become songs, the songs you’ll hear tonight.

From London to New York and across to the West Coast, to the south, to the east and to Washington, the stone-faced Vietnam Veterans standing silently in front of that huge piece of black marble stone; on to the Caribbean, through the south China seas, on to New Zealand and Australia and then back to Europe. Amsterdam, free and marijuana scented; Paris, bourgeois decadence in St. Germain, anarchic revolution at the Beat Hotel; Berlin, divided and scarred; Vienna, an old courtesan hanging on to the last trace of beauty while still with an intangible charm; Copenhagen, blond and blue-eyed easy; Italy, espresso and cigarettes and passion and panache; Slovenia after their war, with all the vitality of a new country celebrating with old wine; Dubrovnik in Croatia, missing the Serbian bombs; Zagreb full of refugees from the country villages, old soldiers in worn uniforms standing in the snow selling matches; Moules in Brussells and red-light bars on the Chaussée d’Alsemberg; The Banjo Man, Derroll Adams in Antwerp; Flanders, miles of white crosses for the millions who died in battle fighting for a few metres of mud; Switzerland and the clean pure air of the mountains. And the softer climes of Bermuda, St. Thomas in the Virgin Islands and the big, beautiful black women who took me to buy fish from the boats docking at daybreak, Barbados, green coconuts from the farmer’s stall, “Cheap, Man, and good for the body, good for everyt’ing”; the Paradise Café in the Wanchai area of old Hong Kong and sitting with Mama San, promising to return next week with more money … the road goes on …

Sit back and enjoy the journey.